Si rien n’est vrai, rien n’est possible
(If nothing is true, nothing is possible)- A. Camus, L’Homme Révolté, p.98
Yay! |
Boo! |
With that in mind I am grateful to ‘ADM’ for her comment on the last instalment of these wafflings, essentially because it suggests to me a number of points I have often heard and with which I could not disagree with it more! I can say that without any trace of personal disagreement or animosity because these points that ADM sets out so well pretty much represent, I would say, the orthodoxy of the historical profession - and because they points I will respond to aren't quite the one's she is making! Me? Not following the orthodoxy? I know you will find that an absurd idea![2]
Essentially, and to anticipate my argument somewhat, I think that the debates on judging history have the whole problem the wrong way round. There was quite a useful representation of what I mean in a forthright review-article [3] by Roger Collins of several recent works including a book containing an essay by Lisa Bitel which argued for a politically-committed teaching of medieval history. Collins is quite right, that finger-wagging at the past for its sexism, racism and so on is an empty gesture, aiming, I would say, at little more than the facile, grandiose public occupation of some sort of moral mole-hill. And yet, I would also say that Bitel is right that a politically-committed historian cannot unproblematically pass things over in silence. To do so is tacitly to acquiesce in it. It is surely pointless now to tut-tut about Charlemagne executing thousands of Saxons in the 780s, in itself, but to pass over the massacre of Verden as simply ‘what people did in those days’ (what can you do, eh?) is ethically highly questionable.
Tamurlane: Misunderstood |
The way out of the impasse is, I suggest, by acknowledging that both sides in the debate as usually rendered are looking through the wrong end of the telescope. The issue of an ethical engagement with history is not about us judging the past, but about the past judging us or, better, about us judging the present through the prism of the past. I came to this point of view via a comment made by Slavoj Žižek in In Defence of Lost Causes (I think) about the issue with Marx today not being about what Marx has to say to us but what we would have to say to him (or something like that – anyway it was the same general point). So, to return to the massacre of Verden, what I suggest is that the event is viewed as a focus for thinking about – an opportunity to meditate on – such actions in general. These were the ‘dark ages’, right? What light does it shed on our supposedly more ‘advanced’ civilisation? Put another way, to consider the massacre (say) as an historical phenomenon can (and should) include its ethical treatment without it necessarily becoming in any way about ‘judging the past’.
One of my innumerable teaching mantras is ‘to explain is not to excuse’. Of course one must see things within some sort of context, but ethically things should not stop there. One reason why they should not concerns causation. If historical context becomes an explanation in itself, as it inevitably does in the historicist way of looking at things, then no one has any agency or moral responsibility at all. You can’t make any exceptions to this rule that will withstand any close analytical scrutiny.
Oradour/Glane: "A regrettable incident"? |
2nd SS 'Das Reich': "Men of their times"? |
There are very many, very common ways of approving and disapproving in historical writing, without actually saying ‘This was A Good Thing’ or ‘That was A Bad Thing’ (which I used simply as 1066 And all That short-hand). The orthodox position generally sees no problem with the approval or admiration of things past. Presumably, when a historian expresses admiration for Charlemagne’s energy and ability to organise (I have praised this myself), that is OK. Think about it; instances of this will be littered throughout the works of all kinds of historians whom I regard as very fine practitioners of the art. Aesthetics work in the same unidirectional fashion. You can coo over early medieval metalwork or manuscript art, or the beauty of the space of the Hagia Sophia without exciting comment, but you can’t say (as I have done) that this is ‘obviously rubbish’ or that the decoration on an early Parisian plaster sarcophagus was ‘clearly not the work of a well man’, except for comic effect. Indeed I well remember David Ganz getting physically irate with me for describing Venantius Fortunatus as the ‘W.T. MacGonagall of his day’ (fair enough; it was at best a pretty flippant gag). Thus, in fact, in practice, the historicist position says we are allowed to commend, but not to criticise. There is no consistency, methodological or theoretical, here. It allows ethical and aesthetic judgement in one direction but not the other. Actions, productions and results transcend their time if we like them, but not if we don’t. What this is, is the position that allows us overtly to praise Mussolini for getting the trains to run on time (if indeed he did) but prevents us from openly condemning him for dropping gas bombs on Libyans and Ethiopians. Charlemagne? Wonderful organiser and strategist, you know; lovely sponsorship of learning. But a cold-hearted murderer of thousands in an afternoon, just to shore up his conquest of their land? Ooh no: now you’ve gone too far; you’re allowing your own feelings to influence your judgement.
This is why the orthodox historicist position is in fact one of disabling relativism. It allows no position to act in the present on the basis of an understanding of the past. Because actions in the past cannot be condemned (only praised or commended), because they have to be understood in context, then nothing in the present can be combatted or condemned either. They also have to be understood in their context, which evidently explains and excuses all. Everything is valid on its own terms. As we have seen, this approach enables no means of criticising history written to support extreme and distasteful political positions (on right or left), as long as that history does not falsify evidence or deny the reality of events or commit other obvious sins of method.
To explain, however, is not to excuse, but both elements of that equation need to be present for good history. In fact, what I think we would agree on is that it is not the commendation or condemnation of past events that makes a bad historian but one-eyed condemnation or commendation. A historian that goes out of his or her way to explain away the ‘stains on a reputation’ and ‘big up’ the good things is probably not a good historian. Nor is the historian who condemns in simplistic fashion, without the ‘explaining’ element of the equation. But it is the lack of even-handedness that makes them that way, not the recognition of and commenting upon good and bad things. If all history that approves or condemns is bad history, as ADM suggests, then all history is bad history, by its very nature (as I will return to explain below).
Here is where I return to the first part of these musings about history and ethics. There is, I argue, a contradiction inherent in this historicist position, especially when used to espouse what I consider to be ethically and politically dubious positions. When approaching the evidence, all schools of thought, I think, accept that (as I argued before) one does so in a spirit that allows the preserved voice of the past to speak and be heard (in the first part, I argued that that ethical demand was actually inherent in what I called the ‘aesthetic moment’ – the decision to study history in the first place). As we’ve seen, we then listen and we grant that voice some priority as that of another human being. That does not imply that one must purely take it on its own terms – that approach would logically lead us to a place where all we could do was to re-describe the past as manifested in the surviving evidence, without comment. That is chronicling and antiquarianism, not history. I don’t think that that is a controversial statement. But once we permit some people (those whose voices are preserved) to be examined with that respectful but critical scrutiny then the implication is that we allow all people – all fellow human beings – that same respect. That means that the voiceless victims cannot be passed over in silence as collateral damage for the ambitions of the great and the good. We are back with the universal in the particular, inherent in the ethical demand that is itself present the decision to study history, but none of this is really controversial. In a way, women’s history and then gender history have been about recovering the experiences of those who do not dominate the record, and the same is true of Black history and other sub-types of the discipline (actually I am opposed to ‘interest group history’ but that’s a different matter [I no longer, at 19/11/2021, have any recollection of what I meant by this]). All I am really trying to do is to bring out and develop an ethical dimension (indeed a demand) that is actually already implicit within accepted historical ‘good practice’, in a way that would be empowering and enabling for politically-committed historians. In that sense, then, I disagree that this is something that is going far beyond history. Far beyond antiquarianism and chronicling, perhaps…
Ludwig von Wittgenstein: Anyone else think he looked like the late Patrick Wormald? |
“Suppose one of you were an omniscient person and therefore knew all the movements of all the bodies in the world, dead or alive and that he also knew all the states of mind of all the people that ever lived and suppose this man wrote all he knew in a big book, then this book would contain the whole description of the world; and what I want to say is, that this book would contain nothing that we would call an ethical judgement or anything that would imply such a judgement. It would of course contain all relative judgements of value and all true scientific propositions and in fact all true propositions that can be made. … Our words, when we use them in science, are vessels capable only of containing and conveying meaning and sense, natural meaning and sense. Ethics, if it is anything, is supernatural and our words will only express facts; as a teacup will only contain water and if I pour out a gallon over it."[6]
I would adapt that to say that if all the events of the past – thoughts, words, deeds, justifications, etc. – were recorded in a Great Book of All The Past, it would not contain a word of History. And it couldn’t contain History any more than a teacup could contain a gallon of water. As I just said, the ‘teacup’ is just antiquarianism and chronicling. What happens when we start history is that we start analysing, commenting and explaining; all things that in a way are transcendental. Such analysis, comment and explanation is, as I have tried to argue, not ethically neutral or disinterested. If one looks for a value to history, the usual defences (‘relevance’; ‘learning how we got where we are’) are pretty weak if scrutinised closely (I’ll have to leave why for another time) and certainly of little comfort to medievalists. For me the key (not the only) purposes of a historical education are twofold: the ability to scrutinise what you are told critically, sceptically, and understanding other people and their cultures. These are both things that make history a dangerous subject. In both of these dimensions there lies the ethical demand of history to treat the other human being (the ‘autrui’ of Levinasian ethics) with priority and respect. Where history is written in a way to justify unethical politics and positions in the present – whether of left or right – by writing off the suffering of human beings, without further comment, as some sort of unavoidable collateral damage on the altar of some principle then, I maintain, it contradicts the principles and demands inherent in the process of historical analysis itself. It thereby becomes ‘bad history’.
Thanks for all your comments thus far, for helping me see what needs further justification and explanation. Keep ‘em coming!
Notes
[1] I’ve never read The Brothers Karamazov so I wouldn’t know. I’m still girding my loins to try one more big push to finish Crime and Punishment. To quote Father Ted, I think Dostoyevsky lost his way in that novel, somewhere between the crime and the punishment. Anyway, it’ll be over by Christmas…
[2] It’s a pretty damning indictment of the profession that I still haven’t yet found anyone to take over from me as the Enfant Terrible of the early medieval historical discipline. I’m 46, for heaven’s sake. I should be in carpet slippers and charter witness-lists by now; that or endlessly repeating the researches of my youth. Oh, hang on, though…
[3] This is a bit of an unfortunate piece. Roger does make some very good points, as you’d expect, and savages at least one very deserving victim but (to mix my metaphors) this sort of blanket bombing of the profession inevitably catches some innocent people in the blast. I emerge quite well from the carnage, but I think I have developed a sort of ‘survivor’s guilt’ as a result.
[4] Not long ago I was pretty shocked to see a book that described as a ‘genocide’ the massacre of Goliad, where 400 Texian rebels (who had, let’s not forget, risen in rebellion to defend their right to own slaves against a Mexican edict of liberation) were executed by Santa Anna’s troops. As a massacre, clearly I have to condemn it, but to call this genocide really is pretty absurd and insulting to the victims of genuine, systematic killing. It might have been this book. If not I apologise, although further down the page the author inaugurates a discussion on how American settlers into Mexico – illegal immigrants – were different from Mexican illegal immigrants in the modern USA, producing the all-too-predictable responses. Goliad is also described as genocide in an evidently pretty poor book reviewed here. I was going to say that maybe one ought not to expect historical perspective in Texas, a state where - I am told - about half of a school-child’s historical education is taken up with the history of that state alone, but there I go. Historical perspective: what does that mean? That 400 Texian lives didn’t count because there were far worse massacres in history? Does their legal status as rebels according to contemporary the laws of war justify describing their killing without comment? Does the morally objectionable basis of their cause justify their execution? The risk is to give that impression. There is not, admittedly, a numerical threshold at which systematic massacre becomes genocide (I have an image of two soldiers amidst the ruins of a slaughtered village, and one saying to the other ‘Damn! We only needed one more to make it genocide’). But the massacre at Goliad, brutal though it was, wasn’t genocide.
[5] How did Wittgenstein die? He became the Late Wittgenstein. Sorry but that’s the only Wittgenstein-based gag that I know.
[5] How did Wittgenstein die? He became the Late Wittgenstein. Sorry but that’s the only Wittgenstein-based gag that I know.
[6] In conversation, apparently, Wittgenstein used to express the same point, more crudely, as ‘you can’t shit higher than your own arse’.