Featured post

More Posts you might have missed on the other site

Here, in order from oldest to most recent are the not-exactly-numerous posts that have appeared on the other site in the past two and a half...

Showing posts with label Dumb-Ass TV-History Moment of the Week. Show all posts
Showing posts with label Dumb-Ass TV-History Moment of the Week. Show all posts

Thursday, 7 February 2013

My kingdom for a ... cardboard box covered by an old tea towel

[All credit to a Christopher M. Cervasco for this pic that's
been doing the rounds on the interweb.  Of course, pedants
among that select band that really enjoyed Series 1 of The
Black Adder will point out that Baldrick was the clever one
in that series...]
Well, what a week it's been for fans of short-lived, inconsequential 15th-century monarchs!  As it happens I was in Paris when the University of Leicester revealed that its archaeologists had discovered what was, fairly convincingly, the body of Richard III and missed *that* BBC TV programme.  That said, I feel, from the sheer quantity of Facebook commentage, that I might as well have seen it.

Apparently there are some data that don't fit but it's still very interesting and credit where credit's due.  But let's just remember that whether or not it is Richard III and whether or not he did therefore suffer from a painful condition, his bones don't tell us that he was or was not a child-killer or that he was a nice man.  There are other questions that remain to be asked and debated.

But there is one issue that the project, its news coverage and BBC programme laid to rest (leaving aside the implication of some gushing comments that most people had hitherto either believed that Richard III had lived an incorporeal existence or, alternatively, was still roaming the earth as a zombie).  After their enthusiast-in-chief insisted that the bones of the king were taken from the site in a cardboard box covered in what (apparently) looked like an old commemorative tea-towel, and confessed to getting a tingle down her spine when she entered the car-park (that's happened to me before now), sure that Richard III had to be buried under one of the Rs of Car Park, there is one thing that is now beyond doubt.  And that is that the Richard III Society definitely contains some really, seriously ****ing weird people.

Here is a selection of the better web-satire that caught my eye:


Wednesday, 6 April 2011

Dumb-Ass TV-History Moment of the Week #2

The Snow Dynasty (and ship)
And while we're on the subject of the social elite reproducing itself - all the while remembering that we live in a nation currently being lectured to on social mobility by Nick Clegg, a prize example of over-privileged, public-school-educated, gutless tumbril-fodder - we move on to Dan Snow, son of Newsnight's Peter.  More specifically to his new series, Filthy Cities (BBC 2, Tuesday 5 April, 9.00 pm), surely the first TV History series to come with its own scratch-and-sniff card (I kid you not). 

This programme was, I thought, on the whole quite nicely done and, if I have to put up with TV pretend-historians, the sting is dulled by watching them at least have to wallow in shit to earn their ill-gotten dollar.  Indeed this might be an avenue worth developing to the mutual benefit of all.  For who, among us, would not think that Niall Ferguson's TV appearances would be immeasurably improved if he dribbled out his reactionary tosh whilst up to his neck in a cess-pool (perhaps one of his own making, but we could be flexible on this point)?  Anyway, Filthy Cities: it might have had nothing very remarkable or remotely cutting-edge to say (at all), it might have been little more than a succession of scatalogical gimmicks, but I have to say that I rather enjoyed it and admit that it probably did its job.  In fact, while it was on, my deeply-felt rage about TV-history as a whole (on which more anon) was temporarily suspended.
Shit (or poo)

For those who missed it (though it can still be caught on BBC i-player for a week or so), the general idea was that modern London was built on shit (or poo as Snow endearingly called it).  We learnt that medieval London was - amazingly - a pretty unsanitary place which eventually became something of a des res for rats (much like now, some might say) and thus a prime target for plague - the Black Death, gruesomely illustrated.  Dealing with the aftermath of that produced, selon Snow (or his researchers*), the municipal organisation and government that led to London becoming the capital of the greatest empire in the world (hurrah!).  [Now you might want to pause here to consider the fact that London was hardly the only city - or indeed settlement of any order of size - to be hit by the plague in 1348 and ponder to what extent that might need to be taken into account in considering this triumphalist grand narrative, but there you are.  Suffice it to say that this fly (or perhaps flea) in the ointment didn't feature.]

So, after this lengthy preamble, we come to the Dumb-Ass TV History Moment.  Here we move to the section of the programme where Snow, with due awe and reverence, goes to the metropolitan archives to look at the roll recording civic disputes in fourteenth-century London: The Assize of Nuisance to be exact, which, as medieval sources go, is a pretty good title.  We had the ostentatious putting on the gloves to consult the text (no matter that they then disappeared for other scenes, presumably in order to display Snow's manly rower's hands**), the pretending to be reading from the document itself, all the usual TV history 'look at me; I'm a real historian doing real history' performance.  That's all OK; it's part of the genre (although at least Our Lord Michael Wood, when he invented the genre, actually could read the documents and did admit to collating xeroxed extracts from printed versions).***  No, what got me was the reference to this being 'one of very few documents from the period', as well as being 'little-known'.  Why?  For heaven's sake, just ... why?  There are thousands upon thousands of 14th-century documents from the highly bureaucratic late medieval kingdom of England (also spared, unlike, say, France or Germany, repeated archive-burning revolutions, sieges and bombardments).  But I suppose that, because this was the (sorry, Ye Olde) 'Middle Ages', the poor benighted viewer has to be fed some crap about there being few documents.  Otherwise, I suppose, their whole idea of the world would implode.

Not only that, but the whole programme was peppered with references to court records, letters, wills, other documents which any intelligent viewer would surely have noted.  So not only was this misleading, it was quite unnecessary (although I suppose it might, just possibly, have been felt necessary to uphold the master narrative that it was only after the plague that civic government really got organised).  Indeed Snow seemed to be going out of his way to show that Ye Olde Medievalle Londonne was (and you might want to be sitting down for this bit) not some anarchic Darke Age free for all.  Unnecessary, incorrect, incoherent, poorly thought through: all the hallmarks of top-quality TV-history dumb-assery.

The 'little known' reference adds icing to the cake.  I am reliably informed that this rare document is in fact available on-line and has been in a printed edition for years.  Ahem.  For shame...

So (drum-roll) for all these reasons, I award you, BBC 2's Filthy Cities Part 1, this second of our irregular H.o.t.E. Dumb-Ass TV-History Moment of the Week Awards.  Congratulations.

And it was also a damn sight better than 'Campus' (Channel 4, Tuesday 5 April, 10.00 pm), which really was - well - shit.  Funnier too, probably.

Notes
* But not, I assume, Professor Caroline Barron, credited as consultant and who surely did all the actual history behind the programmme, for which I hope she was duly and appropriately remunerated.

** OK, here I admit I am jealous, as I have very small un-manly hands.

*** And here's another thing.  TV-History's self-defence is usually the democratising of the subject.  If so, why, then, do they always go in for this staged, unnecessary, misleading mystifying of the whole research process?

Thursday, 6 January 2011

Dumb-Ass TV-History Moment of the Week #1

In the first of an occasional series, the prize goes to Channel 5's otherwise rather interesting documentary on Albert Goering, 'the good brother' (http://www.five.tv/shows/goerings-last-secret-revealed/episodes/goerings-last-secret-revealed).  The prize is awarded on the basis of the moment where, in explaining why Albert was, if a bit of a philanderer, evidently a genuinely brave and humane individual who saved a lot of people from the Nazis while his brother was, well, Hermann Goering, the documentary dredged up basically unfounded rumours to the effect that Albert was illegitimate (the son of his godfather if I remember correctly).  So that's it, then: he just didn't have the 'evil Nazi gene'.  Phew what a relief, not least for Hermann, whose behaviour probably resulted from a simple inherited genetic disorder rather than from any decisions he might actually have made for himself.  Not such good news for Albert, of course, who, rather than having made conscious and courageous decisions, was spared such torment by having got the 'nice gene' (albeit also evidently inheriting the 'philanderer gene' from his godfather/father).

So (drum-roll, please), on the basis of:
                              1.  Reduction of 'evil' to something pathological and
                              2.  Implicit invocation of genetics to explain everything
I award you, Channel 5's 'Goering's Last Secret: Revealed', the inaugural 'Historian on the Edge Dumb-Ass TV-History Moment of the Week' Award.  Congratulations.

Also a special 'Highly Commended' to the Channel 5 web-site for accompanying the info on the programme with an utterly gratuitous pic of actors dressed up as (suspiciously healthy-looking) concentration camp inmates.  Nice work all round.

Also, this week:
History on Film Bluffing/Irritating your Family, Co-workers and Friends Tips no.1
Raiders of the Lost Ark (Steven Spielberg, 1981)
No one sane watches Indiana Jones films for historical accuracy, or expects it from them, but here are a couple of irritating, anoraky things you can say to annoy people, based on watching it last night for the umpteenth time (leaving aside the vexed issue of where Indy got that suspiciously RPG7-like rocket launcher from, towards the end, or the origin of the bizarre 'flying wing' Nazi plane, which at least has a plausible Blohm und Voss prototype feel to it):
1: (This is the penny that dropped last night) A bit of blatant orientalism here in that Egypt is depicted as a sort of backwards Middle Eastern country with no option but to allow the Nazis to send in armed forces to find the Ark of the Covenant.  In some ways not far wrong, of course, but wasn't Egypt a British protectorate in the 1930s?  Do we think that the British/Egyptian government would have allowed a Nazi contingent (with significant contingent of troops, an air-base with armed aircraft etc etc) into the country?  Hmmmmm....
2: A common Hollywood problem this: Every Nazi soldier seems to be armed with the MP40 sub-machine gun (erroneously known as the 'Schmeisser' - extra bluffing/irritation points for that).  Leaving aside the fact that this was a weapon principally issued to NCOs and officers only, the clue lies in the name: MP40.  It means it was developed in 1940 - so what's it doing in universal service in 1936?  The date (courtesy of the opening sequence) also rules out its predecessor, the MP38, which came into service in 1939 for the invasion of Poland.
That should get you banned from any further communal watching of Indy films. 
I thank you.